Into the Woods

March 07–April 15

Into the Woods
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Directed by Mark Lamos
A CO-PRODUCTION WITH WESTPORT COUNTRY PLAYHOUSE

What happens after Happily Ever After, after all? In Sondheim and Lapine’s beloved musical retelling of the Grimm classics, a parade of familiar folktale figures find their way “Into the Woods” and try to get home before dark—under the guidance of Mark Lamos, who dazzled us with A Little Night Music in 2008.

Digital Dramaturgy

Cast

Jeffry Denman*
Narrator

Jenny Latimer*
Cinderella

Justin Scott Brown*
Jack

Cheryl Stern*
Jack's Mother

Erik Liberman*
Baker

Danielle Ferland*
Baker's Wife

Nikka Graff Lanzarone*
Florinda

Eleni Delopoulos*
Lucinda

Dana Steingold*
Little Red Riding Hood

Lauren Kennedy*
Witch

Alma Cuervo*
Stepmother/Granny/Giant

Nik Walker*
Wolf/Cinderella’s Prince

Britney Coleman*
Cinderella’s Mother/Rapunzel

Robert Lenzi*
Cinderella’s Father/ Rapunzel’s Prince

Jeremy Lawrence*
Mysterious Man

Baltimore Center Stage: A Civil War Christmas, Into the Woods. Broadway—White Christmas (Phil Davis, Astaire Award nom), The Producers, Cats, Dream, How to Succeed…. Off Broadway—Vineyard: Kid Victory (Michael, Drama Desk & Outer Critics noms, Best Supporting); CSC: Passion (Lt Barri); York Theatre: YANK (Artie, Drama Desk nom, Best Supporting); The Holiday Guys; Keen Company: Children of a Lesser God (James Leeds). Regional—Signature: Kid Victory (Michael, Helen Hayes nom); Westport: Into the Woods (Narrator, Connecticut Critics Award); Portland Stage: Dinner with Friends (Tom); Sacramento Music: Into the Woods (Baker); Ogunquit Playhouse: Crazy for You (Bobby), Spamalot (Sir Robin); North Shore: Crazy for You (Bobby, IRNE Award). Professional/Other—Jeffry is also a Director and Choreographer having worked extensively Off Broadway and regionally including Ogunquit Playhouse, Tuacahn Center for the Arts, Cape Playhouse, Music Theatre Wichita, and La Mirada. He is the Artistic Director of Denman Theatre & Dance Co and author of the book, A Year with The Producers, a journal of his time in the original Broadway company of The Producers.

Baltimore Center Stage: Into the Woods. Tour—25^th Anniversary Tour of Les Miserables (Cosette). Regional—Les Miserables (Paper Mill Playhouse); She Loves Me (Westport Country Playhouse); Phantom (Center West Valley); Balm in Gilead (Steppenwolf Intensive); My Fair Lady, Cinderella (Tuacahn Amphitheater); Spitfire Grill, Slipper and the Rose (National Premiere), Beauty and the Beast, The Taming of the Shrew (Hale Center Theatre); Much Ado About Nothing, The Fantasticks (Provo Theatre Company); A Midsummer Night’s Dream (Elison Auditorium). Other Credits—Dial M for Murder, Hamlet (Brigham Young University). Film/TV—Best Wishes Love Adele, Passage to Zarahemla, The Dance, Billy.

Baltimore Center Stage: Into the Woods. Broadway— 2010 Tony Award-winning revival of La Cage Aux Folles; The Women (Roundabout); Candide (NY City Opera); Laughing Room Only. Off Broadway— Claire in Being Audrey; Mamie in the Drama Desk-nominated First Lady Suite; Requiem for William (Transport Group); Alice B. Toklas in 27 Rue de Fleurus (Urban Stages); I Love You, You’re Perfect, Now Change; Game Show; That’s Life; The Immigrant. National Tours— A Grand Night for Singing; Les Misérables; Evita; Fiddler on the Roof. Regional— The Old Lady in Mary Zimmerman’s award-winning new adaptation of Candide (Huntington Theatre); Falsettos (Barrington Stage Co.); Light Up The Sky (Seattle Rep); The Times (dir. Gordon Edelstein, Long Wharf); Sisters Rosensweig (Geva/ Studio Arena); Lost in Yonkers (Tennessee Rep); No Way To Treat a Lady (Hartford Theatreworks); The Mystery of Edwin Drood (dir. Rob Marshall). Film/TV— Brooklyn Lobster with Jane Curtin and Danny Aiello; Guiding Light; All My Children; As the World Turns; Law and Order: Criminal Intent; Sondheim: a Celebration at Carnegie Hall. Also a Drama Desk-nominated and Jonathan Larson Award-winning lyricist, Cheryl is a graduate of Northwestern University. www.cherylstern.com

Baltimore Center Stage: Into the Woods. Broadway— Harold Prince’s LoveMusik. Off Broadway— The Most Ridiculous Thing You Ever Hoid (NYMF Award), For Elise, Minnie’s Boys, The Calamity of Kat Kat and Willie. Tour— Fiddler on the Roof with Topol, Harvey Fierstein, and Theodore Bikel; Mabou Mines Dollhouse (Choreography). Regional—Merrily We Roll Along (Helen Hayes Award, Signature). Concerts—An Evening of Kurt Weill (Lincoln Center); L’Histoire du Soldat (Occupy Wall Street); Broadway in the Berkshires (Shakespeare & Co). Workshops— Sundance, The Public, Playwrights Horizons. A Moth storyteller and Huffington Post blogger, he is a featured vocalist on The Beatles Complete on Ukelele. Erik is the recipient of Ovation and Garland Awards, as well as honors from Def Comedy Jam, The Kurt Weill Foundation, The Henry Mancini Institute, and YoungArts. www.erikliberman.org

Baltimore Center Stage: Into the Woods, Short Plays by Thornton Wilder. Broadway—All My Sons; A Year with Frog and Toad, A Little Hotel on the Side, The Crucible (National Actors Theater); A Little Night Music (New York City Opera); Original Broadway productions of Into the Woods (Little Red Ridinghood) and Sunday in the Park with George. Off Broadway—She Stoops to Conquer, The Streets of New York (Irish Repertory Theater); Engaged (Theatre for a New Audience); Tartuffe (Public Theater/NYSF); How I Learned to Drive (Century Theatre); Uncommon Women and Others (Lortel Theatre); Paradise and Sunday in the Park with George (Playwrights Horizons). Regional—A Year with Frog and Toad (Children’s Theatre of Minneapolis); School for Husbands, The Streets of New York (Westport Country Playhouse); Night Governess (McCarter Theatre); Actors Theatre of Louisville; Old Globe Theatre. Film/TV—Slippery Slope, Sam the Man, Rescue Me, Earthly Possessions, Mighty Aphrodite, Radio Days. Awards—Theatre World Award: Outstanding New Talent, Drama Desk Nomination: Best Featured Actress in a Musical (both for Into the Woods). Education—BFA from NYU.

Baltimore Center Stage: Into the Woods. Broadway—Chicago (Velma Kelly); Women on the Verge of a Nervous Breakdown (Marisa, Lincoln Center Theater). Off Broadway—Hello Again (The Whore, Transport Group); Seussical (Lortel Theatre). Las Vegas— Peep Show (directed/choreographed by Jerry Mitchell). Regional—Tommy (Bay Street Theatre); Carnival (Paper Mill Playhouse); The Producers (Merry-Go-Round Playhouse); Nine (The Chance Theatre). Film/TV—Bandslam, The Tonight Show with Jay Leno. Recordings—Seussical and Women on the Verge… cast albums. Concerts at The Hollywood Bowl, the Sydney Opera House, two operas with the Los Angeles Opera. BFA from The Boston Conservatory. Love to M&D, DDS, The Mine. www.nikka-graff-lanzarone.com

Baltimore Center Stage: Into the Woods . Off Broadway/New York—A Stoop on Orchard Street (original cast recording, Mazer Theater); Iphigenia at Aulis (Symphony Space); In the Swing (Theater for the New City); reading of Women of Athens (N.Y.T.W./Manhattan Theater Club). Tours— Hair (2008 Italian Tour, dialog in Italian); Mame (National Tour). Regional—Two Gentlemen of Verona (Shakespeare & Company); Annie (Fulton Theatre); Man of La Mancha, Proof (Skyline Theatre Co); A Little Night Music (White Plains Perf. Arts Center); Urinetown (Carousel Dinner Theater); Annie, Baby, Thoroughly Modern Millie (Mt. Washington Valley Theatre Company); Phantom (Shawnee Playhouse/Musical Theatre West); Meshuggah-Nuns! (Cohoes Music Hall); Parallel Lives, Almost Maine, Crossing Delancey (Theater Barn); Tales from Ovid (Eugene O’Neill Theater Center); Little Women (R.T.G. Productions). Professional—Co-writer of a new musical of Lysistrata. She owns a summer camp for teens with her childhood friends (www.wayfinderexperience.com) and runs a not-for-profit teaching company (www.theadventuregame.org). www.elenidel.com.

Baltimore Center Stage— Into The Woods. Broadway/National Tours— 25^th Annual Putnam County Spelling Bee(Logainne). Off Broadway/Other New York— The Visit (Ottile); Anyone Can Whistle (Baby Joan, City Center Encores!); Perez Hilton Saves the Universe (Culture Project); Spidermusical (The Mint). Regional— credits include Calvin Berger (Bret, George Street Playhouse); Hairspray (Penny, North Carolina Theater); Into the Woods (Little Red, KC Rep); High School Musical 2 (Kelsi, North Shore Music Theatre); Ordinary Days (Deb, ATF); Surviving The Avalanche (Barrington Stage). Recordings— Calvin Berger cast album. Concerts include Metropolitan Opera Gala at Avery Fisher Hall and Detroit Opera House. Numerous Readings/Workshops. BFA from New York University. Love all around.

Baltimore Center Stage: Into the Woods. Broadway—credits include Monty Python’s Spamalot (Lady of the Lake); Sunset Boulevard with Glenn Close; Side Show (Daisy Hilton); Les Miserables (Fantine); Cinderella (New York City Opera). Off Broadway—Disaster!, written and directed by Seth Rudetsky (Triad Theatre); Vanities, Good Ol’ Girls. Tour/International—Trevor Nunn’s revival of South Pacific (Nelli Forbush, Royal National Theatre); opposite Val Kilmer in The Ten Commandments (Kodak Theatre); Sunset Boulevard (Betty Schaeffer, National Tour). Regional—pre-Broadway production of Lone Star Love with Randy Quaid. New Works/Premieres—Frank Wildhorn’s Waiting for the Moon (Selda Fitzgerald, Lenape, Barrymore Award nom. for Best Actress); The Rhythm Club (Signature Theatre, Helen Hayes nom. for Best Actress); White Christmas, Breakfast at Tiffany’s (MUNY); Hot Shoe Shuffle (TUTS); The Trumpet of the Swan (Kennedy Center); The Last Five Years (Northlight). Both her new album, Here and Now, and her debut album, Lauren Kennedy: Songs of Jason Robert Brown, have received rave reviews and are available on PS Classics. Lauren is the Artistic Director at Theatre Raleigh/ Hot Summer Nights. Lauren is most proud of her collaboration with husband Alan Campbell: their daughter Riley. www.laurenkennedy.com

Baltimore Center Stage: Into the Woods. Broadway—credits includeBeauty and the Beast; Cabaret; Titanic (original Ida Straus); The Heidi Chronicles; Ghetto; Quilters; Is There Life after High School?; Censored Scenes From King Kong; Bedroom Farce. Off Broadway—recent credits include Sondheim and Weidman’s Road Show (NY Shakespeare Festival); The Shoemaker (Cause Celebre). She received an OBIE for her performance in Uncommon Women and Others (Phoenix Theatre and PBS). National Tours—credits include Wicked (Madame Morrible); My Fair Lady; Cabaret (directed by Sam Mendes and Rob Marshall); M. Butterfly. Regional—credits include The Clean House (Syracuse Stage); And the Curtain Rises (Signature Theatre); The Three Sisters (Cincinnati Playhouse); The Miracle At Naples (Huntington Theatre); The Year of Magical Thinking (Northern Stage); Wit (Phoebe Award, Theatre Virginia); The Beauty Queen of Leenane (Barrymore Award, Philadelphia Theatre Company); Damn Yankees (Walnut Street and Music Theatre of Wichita); Polly Pen’s Night Governess (McCarter); Floating Island Plays (Mark Taper Forum). TV—Law and Order: Criminal Intent; Norman Lear’s aka Pablo (series regular). Narrator of many recorded books. Education—Tulane University (B.A.) and Yale Drama School (M.F.A.).

Baltimore Center Stage— Into the Woods. Tour— The Lion, The Witch and The Wardrobe (Theatreworks USA). Regional—Miss Saigon (Ogunquit Playhouse); RENT (Pioneer Theatre); Man of La Mancha, RENT (Hangar Theatre); Assassins, ARTiculation (Company One).Other Credits— Jesus Christ Superstar (Guerilla Tactics); Topdog/Underdog (Stella Adler Studios); The Devil and Thomas Briggs (The People’s Theatre Lab); The Who’s Tommy and originated the role of Marcus Steifel in Only Children (NYU Tisch); The Merchant of Venice, Measure for Measure (The Classical Studio NYU); Othello (Workshop, The Burning Pony). Film— Borderland. www.nikwalkersworld.com

Baltimore Center Stage: Into the Woods. Off Broadway— What the Public Wants, Is Life Worth Living? (The Mint); So Help Me God! (Lortel); Five by Tenn (Manhattan Theatre Club); Everyone Expects Me to Write Another Streetcar (Abingdon Theatre); Lavender Songs: Queer Weimar Berlin Cabaret in Mr. Lawrence’s translations (Bistro Award, The Duplex). Tour/International— Tennessee Williams’ Traveling Companion (Dublin Int’l Gay Theatre Fest); Albert in Wonderland (Touring); How to Explain the History of Communism to Mental Patients (Edinburgh Fringe Fest/Open Fist Theatre); Los Angeles—Chekhov’s The Wood Demon, Brecht’s The Wedding, Ghetto (Mark Taper Forum); The Threepenny Opera (Reprise Productions); Patience, The Boor (Antaeus Theatre); The Three Sisters (Open Fist Theatre); The Chairs (Stages Theatre Center); Kuni Leml (Westwood Playhouse); Rapmaster Ronnie (Odyssey Theatre); Nicholas Nickleby (LACC); Twelfth Night (Cecilwood Theatre). Film/TV— Extremely Loud & Incredibly Close, Tick Tock Time Emporium, Critters, Body Double, Nightshift, Law & Order: SVU, Stella, Drew Carey Show, ER, Frasier, Growing Pains, Head of the Class, thirtysomething, Ohara, Night Court. He is internationally known for his one-man Tennessee Williams shows.

Creative Team

Mark Lamos
Director

Seán Curran
Choreographer

Wayne Barker
Music Director

Allen Moyer
Set Designer

Candice Donnelly
Costume Designer

Robert Wierzel
Lighting Designer

Zachary Williamson
Sound Designer

Gavin Witt
Production Dramaturg

Tara Rubin
Casting Director

Chris Hofer
Music Contracter

Matthew Melchiorre*
Stage Manager

Amanda Spooner*
Assistant Stage Manager

Baltimore Center Stage: Into The Woods, A Little Night Music. Broadway—Cymbeline; Seascape; The Rivals; The Gershwin’s Fascinating Rhythm; The Deep Blue Sea; Our Country’s Good (Tony nom). Off Broadway—Primary Stages: Indian Blood; Public/Delacorte: As You Like It; Lincoln Center: Big Bill; Measure for Measure (Lortel Award); Signature: Thief River; Second Stage: Tiny Alice (Lortel Award); Public Theater: Love’s Fire; Playwrights Horizons: The End of the Day. Other theater—Hartford Stage: Artistic Director, 1980–97 (accepted 1988 Tony for theater’s body of work): world premieres included Stand-Up Tragedy, Is There Life After High School?, Other People’s Money, Marvin’s Room; also adaptations and premieres by Tony Kushner, Lanford Wilson, Pearl Cleage, Simon Gray, Tom Stoppard, Constance Congdon, many others; Canada’s Stratford Festival; Kennedy Center: Tennessee Williams Explored; Shakespeare (DC); Moscow’s Pushkin Theater; Chicago Shakespeare; McCarter; La Jolla; Old Globe; Williamstown; Guthrie; San Francisco’s A.C.T.; Yale Rep; etc. Opera—Metropolitan; NYC Opera; Glimmerglass; Santa Fe; St. Louis; San Francisco; Munich Biennale; Sweden’s Stora Teatern; L’Opéra de Montréal; etc. Television—Aspern Papers; Paul Bunyan; Tosca I Lombardi; Wozzeck; and soon Madama Butterfly—all Live From Lincoln Center/Great Performances. Film—Longtime Companion (actor). Professional—Associate Artist, Yale Rep; Yale School of Drama Beinecke Fellow 2006; Albee Directing Award 2005; honorary doctorates from Connecticut College, Trinity, Univ. of Hartford.

Baltimore Center Stage: Into The Woods. Broadway—James Joyce’s The Dead, The Rivals, Cymbeline. Off Broadway—My Life With Albertine; Kilt; El Gato Con Botas; Original member of the NYC cast of STOMP; Romeo and Juillete (The Metropolitan Opera); L’Etoile; Alcina; Turandot; Acis and Galetea; Haroun and the Sea of Stories; Where the Wild Things Are (New York City Opera). Professional—Director: Salome (Opera theater of St Louis, San Francisco Opera, Opera Montreal San Diego Opera); The Daughter of The Regiment (Opera Theater of St Louis). Artistic Director: Seán Curran Company. Arts Professor NYU Tisch School of the Arts Dance Department. www.seancurrancompany.com

Baltimore Center Stage: Into The Woods, Caroline or Change, A Little Night Music, The Boys from Syracuse. Broadway—Dame Edna: Back with a Vengeance (composer, lyricist, performer). Off Broadway—Chicago City Limits; Aunt Chooch’s Birthday. International/Tours—Dame Edna: The Royal Tour; A Night with Dame Edna. Composer—Guthrie: The Great Gatsby; Seattle Rep: The Three Musketeers, Twelfe Night; HBO Family: A Little Curious; 2006 Commonwealth Games; 75th Royal Command Variety Performance. Concert—Raymond Scott Orchestrette; Baltimore Symphony Orchestra (Jack Everly); Los Angeles Philharmonic; NY Pops; Chicago, Indianapolis, San Francisco, St. Louis, Pittsburgh symphonies; Many others. Next up as composer: Peter and the Starcatchers (Disney); Live! Nude! Girl!; Common Criminals.

Baltimore Center Stage: Into The Woods, Snow Falling on Cedars; The Boys from Syracuse, The Voysey Inheritance, An Ideal Husband. Broadway—After Miss Julie, Grey Gardens (Tony/Drama Desk noms, Henry Hewes Award), Thurgood, Little Dog Laughed, The Constant Wife, Twelve Angry Men, In My Life, Reckless, The Man Who Had All The Luck, A Thousand Clowns. Off Broadway—Lincoln Center: The New Century; Roundabout Theatre: Mr. Marmalade, Richard Greenberg’s The Dazzle; Signature Theatre Company: John Guare’s Landscape Of The Body, A Few Stout Individuals (premiere); Playwrights Horizons: Kenneth Lonergan’s Lobby Hero; New Group/Second Stage: This Is Our Youth; productions for the Drama Dept. including As Thousands Cheer, As Bees In Honey Drown, Rude Entertainment. Opera/Dance—Metropolitan Opera: Orfeo ed Euridice (dir. Mark Morris); Minnesota Opera: The Grapes of Wrath (world premiere); San Francisco Opera; Santa Fe Opera; New York City Opera; Glimmerglass Opera; Scottish Opera; Houston Grand Opera; San Francisco Ballet: Sylvia; Mark Morris Dance Group: Romeo and Juliet: On Motifs of Shakespeare. Awards—Obie for Sustained Excellence.

Baltimore Center Stage: Into The Woods, The Wiz, Ma Rainey’s Black Bottom, The Importance of Being Earnest, ’Tis Pity She’s a Whore, The Matchmaker, A Little Night Music, Rosencrantz & Guildenstern are Dead, The Three Sisters, The Murder of Isaac, Lady Windermere’s Fan, Misalliance, The Winter’s Tale, She Stoops to Conquer, many others. Broadway—Our Country’s Good, Fences, Hughie, Search and Destroy, Mastergate. Off Broadway—Buffalo Gal, Body of Water, Hurrah at Last, Fires in the Mirror, The Skin of Our Teeth, Love’s Fire, others. Regional—A.C.T. (San Francisco), Long Wharf, La Jolla, Mark Taper, Guthrie, Alley, Berkeley Rep, A.R.T., Yale Rep, others. Opera—Haroun & the Sea of Stories, La Finta Giardiniera, Central Park, The Flying Dutchman, The Tales of Hoffman, Ermione, Casino Paradise, Black Water. Film/TV—Dolley Madison; Ben Franklin; Alexander Hamilton; Twilight: Los Angeles, 1992; Liberty!; others. Education—MFA, Yale School of Drama.

Baltimore Center Stage— Into The Woods, Who’s Afraid of Virginia Woolf?, A Little Night Music, Day of Absence, Open Admissions. Broadway—The Deep Blue Sea; David Copperfield’s Dreams and Nightmares. Off Broadway— Fela!, a new musical directed and choreographed by Bill T. Jones; NYSF/Public; Signature; MCC; Roundabout; Playwrights Horizons; INTAR; Mostly Mozart Fest; Brooklyn Academy of Music; Lincoln Center Fest; Gotham Chamber Opera. Regional—includes Arena Stage; A.C.T.; San Francisco; Shakespeare (DC); Chicago Shakespeare; Hartford Stage; Long Wharf; Goodman; Yale Rep; California Shakespeare; Guthrie; Mark Taper; Berkeley Rep. Opera—NYCO; Glimmerglass; Garnier (Paris); Tokyo; Toronto; Boston; San Diego; SFO; HGO; Wolf Trap; Omaha; Washington; Seattle; Virginia; Chicago Lyric; Chicago Opera Theatre; Montreal; Vancouver; Minnesota; FGO; Portland. Dance—numerous collaborations w/ Bill T. Jones/Arnie Zane Dance Co.; Doug Varrone; Donna Uchizono; Sean Curran; Alonzo King; Lyon Opera Ballet. Awards— Obie (Special Citation); Bessie (Dance and Performance); American Theatre Wing; United States Artist Fellowship Nomination- 2008; Education—Univ. of South Florida; Yale. Professional—Adjunct Instructor, NYU.

Baltimore Center Stage— Animal Crackers, …Edgar Allan Poe, Into the Woods, ReEntry. Broadway (Associate)— Lysistrata Jones; Roundabout: The Ritz, Pal Joey. Off Broadway— Irish Rep: New Girl In Town, Molly Sweeney, White Woman Street, Candida, The Hairy Ape, and others; Second Stage: Vanities; Urban Stages: ReEntry. Regional—Kansas City Rep: Pippin, Cabaret; Clarence Brown: Amadeus; 5^th Avenue Theatre: Hairspray, On the Town; Joseph and the Amazing Technicolor Dreamcoat; Dallas Theater Center: Fly By Night, Give It Up!; Two River Theater: Carry It On, Jacques Brel is Alive and Well, 26 Miles, ReEntry, and others; Long Wharf; Westport Country Playhouse; Pasadena Playhouse; Round House Theatre; Virginia Stage; Asolo; Actors Theater of Louisville; St. Louis Rep; Vermont Stage; Syracuse Stage. Currently, he is the associate designer for Wicked, maintaing the Broadway and national touring productions.

Director of Dramaturgy and Associate Director Gavin Witt came to Baltimore Center Stage in 2003, after nearly 15 years in Chicago as an actor, director, dramaturg, translator, and teacher—and co-founder of the classically based greasy joan & co theater. Among his translations and adaptations are a half-dozen Shakespeare plays, including a Jeff-nominated version of Pericles and the BCS production of As You Like It; Jeff-nominated translations of Beaumarchais’ The Barber of Seville and Ionesco’s Macbett; and the BCS adaptation of The Voysey Inheritance. A graduate of Yale and the University of Chicago, he is currently on the Humanities faculty at Peabody Conservatory, having previously taught at the University of Chicago, DePaul, and Towson; has served on the advisory boards of several theaters; and spent more than a decade as a regional vice president of LMDA, the national association of dramaturgs, before recently joining its board.

Baltimore Center Stage: Clybourne Park, Beneatha’s Place, An Enemy of the People, Into the Woods. Broadway—The Heiress, Scandalous: The Life and Trials of Aimee Semple McPherson, Ghost, One Man, Two Guvnors (US Casting), Jesus Christ Superstar (US Casting), Hugh Jackman: Back on Broadway, How to Succeed..; Promises, Promises, A Little Night Music, Billy Elliot, Shrek, Guys and Dolls, The Farnsworth Invention, …Young Frankenstein, The Little Mermaid, Mary Poppins, My Fair Lady, Pirate Queen, Les Misérables, Spamalot, Jersey Boys, …Spelling Bee, The Producers, Mamma Mia!, Phantom of the Opera, Contact. Off Broadway— Love, Loss, and What I Wore, Old Jews Telling Jokes. Regional—Yale Repertory, La Jolla Playhouse.

Baltimore Center Stage– Into the Woods, Assistant Stage Manger: The Whipping Man, A Skull in Connemara. Broadway—The Light in the Piazza, Coram Boy, Hamlet, Curtains, Monty Python’s Spamalot, Wicked, The Lion King, All Shook Up, The Frogs. Off Broadway—A.R. Gurney’s Black Tie dir. Mark Lamos, Happy Now?, Shipwrecked! An Entertainment…, A.R. Gurney’s Buffalo Gal dir. Mark Lamos, White Chocolate, Open Heart, The Architecture of Loss (Primary Stages). Other New York—Show Boat In Concert (Carnegie Hall). Regional—Twelfth Night, or What You Will dir. Mark Lamos; Suddenly Last Summer; Lips Together, Teeth Apart dir. Mark Lamos; Beyond Therapy; The Diary of Anne Frank; Beckett’s Happy Day’s dir. Mark Lamos; She Loves Me dir. Mark Lamos; That Championship Season dir. Mark Lamos; Tick, Tick, Boom!; Around the World in 80 Days; A Holiday Garland; The Pavilion (Westport Country Playhouse); Honk! (Two River Theater Company).

Baltimore Center Stage: Into The Woods. Off Broadway—Black Tie (Primary Stages); Ink’d (Playwrights Realm); Ameriville (The Public Theatre); Happy Now? (Primary Stages); NEWSical the Musical (Village Theatre). Tours—NEWSical the Musical; Finding Ways…. Regional—Les Liaisons Dangereuses, Annie, Evita (Northern Stage); Twelfth Night, Lips Together, Teeth Apart, She Loves Me (Westport); Death of a Salesman, Happy Now?, Boleros for the Disenchanted (Yale Rep); Measure for Measure, The Winter’s Tale, Holiday (Elm Shakespeare). TV—The 81st Annual Academy Awards. MFA, Yale School of Drama.

*Member of Actors’ Equity Association

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